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What is the week magazine full#
They’ll also be able to download our magazine app for tablets and smartphones-the full issue of each week’s magazine-to read anytime, anywhere, on a wide range of devices, via the iTunes App Store, Google Play, or Amazon.Ī final point-and, arguably, the most important. We’ll undoubtedly remind you again, but, come fall, subscribers will be able to make use of a plan that gives them unlimited access to, and our complete archive, using a Web browser on any smartphone, tablet, or desktop computer. We’ve also asked our writers to recommend favorite stories from the past, and those selections will be featured on the site and on social media throughout the summer. Over the summer, we’ll also provide a sampling of many of the older pieces that our readers keep asking for-including short stories by Alice Munro and Junot Díaz, Janet Flanner on Isadora Duncan, Calvin Trillin on the crime reporter Edna Buchanan, and Mark Singer on the magician Ricky Jay. Beginning this week, every story we’ve published since 2007 will be available on, in the same easy-to-read format as the new work we’re publishing. The new design also allows us to reach back and highlight work from our archives more easily. Publishing beyond the printed page allows us to present the gift of greater immediacy, the ability to respond to events when we have something to say the site offers podcasts, video, interactive graphics, and slide shows of photographs and cartoons. The print version of The New Yorker is still a fine technology (try rolling up your iPad and don’t drop it too often!), but more advanced technology has some distinct advantages. We posted some pieces from the print magazine but held most of them back our subscribers could, with a little effort, unlock those blue padlocks and read it all. Give it all away or hold things back? That was the question. When we started, we, like everyone else, faced the dilemma of what to post online. We are also making our work more easily available. For instance, in addition to Daily Comment, which usually concerns itself with political matters, we will also feature a Daily Cultural Comment, a regular column in which our critics and other writers confront everything from the latest debates over the impact of technology to the latest volume from Chicago, Oslo, or Lima and the ongoing sagas of Don Draper, Daenerys Targaryen, and Hannah Horvath. We are promising more, as well as an even greater responsiveness to what is going on in the world. The Web site already publishes fifteen original stories a day. The changes are not limited to technology and aesthetics. For months, our editorial and tech teams have been sardined into a boiler room, subsisting only on stale cheese sandwiches and a rationed supply of tap water, working without complaint on intricate questions of design, functionality, access, and what is so clinically called “the user experience.” On a desktop, on a tablet, on a phone, the site has become, we believe, much easier to navigate and read, much richer in its offerings, and a great deal more attractive. And there is now more change on the digital front-in appearance, content, and access. Since 2001, however, The New Yorker has also meant, a Web site, which has grown immensely, in audience and in substance, particularly in the past few years. He and his contemporaries relied solely on paper and the U.S. And yet, for all his eagle-eyed attention, Ross could not have anticipated all the ways in which his inky corner of the world would change.